Sunday, 29 March 2015

INTRO TO TYPOGRAPHY

 TASK 1:INTRO TO TYPOGRAPHY IN MAGAZINE DESIGNING

( PRESENTATION ) 


Setting Body Text for Comfortable Reading

Probably the most important magazine page element is the body text or body copy as some refer to it. Magazine readers do not notice properly set body text. They notice nice images, powerful headlines, but they do not notice body text. And this is a good thing. Properly adjusted body text should be unnoticeable and it should not interfere with the process of reading. It should be invisible so that the reader is never aware of the reading process.

On the other hand, if the body text is not set properly, this can lead to bad readability and it can annoy potential readers, but for us editorial designers this is the first thing we should do and if the result is unnoticeable than you know you did a good job.
magazine body text, body copy

Choosing body text font

When choosing a proper body text font, choose the ones that will suit your publication. You can choose serif fonts that have proven to be a great choice for body text. Some of them are Caslon, Jenson, Chronicle, Miller, Palatino, Garmond and Goudy to name a few. Although they are popular, never ever use Didot and Bodoni or any similar font for body text. They are not intended for display at small sizes and for lengthy article reading because of their big contrast in thick and thin strokes.

If you choose a sans serif type you can choose from the usual suspects like Helvetica, Franklin, Univers, Gill sans, Meta, Swiss and so on.

I personally rarely use sans serif fonts for body type. For longer feature articles I almost always go with serif type and I leave sans for smaller sections and text in boxes, but no one says you cannot choose a sans serif for longer articles. It all depends on the nature of the publication.

Though sans serif fonts is a bit harder to read than serif fonts, you should increase the leading up to 135-140% for easier line to line eye transition.

Pick one font and use it for all body text in the entire magazine.


Body text sizes

When designing a magazine from the scratch first thing you should do is to choose the body text font and its size. It all starts from there.
There are no strict formulas for setting the proper body type by itself. The size of the body text should work with the width of the column and it should be appropriate for the targeted audience. Let’s say that the majority of your readers will be seniors, 60 years and older. For them the size of body type should be larger. The same principle applies to small children.
Body text sizes can range from 9pt to even 12pt. Although I have never set any body text in 12pt. There is no one size fits all principle, but do not go bellow 9pt and do not go over 12pt. Newspapers are usually set in 10pt, but this is not a rule set in stone.
The size also depends on the x-height of the font selected. X-height makes type look big or small.
Leading should be set at default 120%. For narrower columns you can decrease it and for wider you should increase it.

Body text alignment

There are only two options for body text alignment. Left and justified. Never centered and never aligned right.
There are almost no differences in readability of text aligned left and justified. If you plan to use justified alignment, adjust properly its justifying settings.
Text aligned left can provide some valuable white space in text columns and it does not create a dull horizontal look like justified text columns.
Sometimes you can use vertical thin rules to divide the text columns of text aligned to the left. It will make these columns look tidier but if your text is justified, there is no need for vertical rules between the text columns are already perfectly straight in a vertical line.
Each paragraph of text can have a horizontal indent in the first line of the paragraph. The paragraph just bellows the subhead does not have to be indented. Indent should be from 3-5 mm, depending on the width of the text column. Instead of indent, you can use drop caps at the beginnings of the paragraph, but do not over do it. Also never indent the paragraph that has drop cap applied.
After you have set the size, leading and alignment, create few columns and fill them with dummy text. For example, create three columns spreading from top margin to bottom margin and place some text in them with the settings you have chosen.
Print one page and take a look at it. Does it look too gray? Is it too bright? This is called the texture of body text and it should be optimal, neither too dark neither too bright.
Try out some different point and leading sizes, create columns, fill them with text again, print and compare. See which ones look better. There are no rules and the best result will be the one that looks optimal. Read the text in the columns and if you can read it with a nice flow and without interruption you have made it.
Reading comfort depends on the ratio of type size to line length to line spacing and they all have to be in balance and you are the one that is setting this comfort for the reader so choose wisely.

Example of typography prints
One of the most fantastic things about Print Media are Magazine Typography Covers, creativity can be seen on every magazine but Typography showcases something unique to the public. An iconic typography magazine helps to highlight the issues key topics as well as displaying decorative covers. With the interesting display of typefaces and design elements, magazine covers don't have to boring any more.
 Traditional typography may not be the answer to communicate the magazine's message, sometimes type needs to attract the reader. Spicing up your Magazine Typography Covers with illustrations and abstract art can help the magazine become more informative and enticing.
In today's collection we've gathered 21 Inspiring Magazine Typography Covers, these magazines use Typography as a tool to attract readers.

This Typography cover feature ribbon element based around vintage font styles


This typography cover feature one main font designed to have a 3 color scheme with some texture added in 



This issue of Timeout feature hand drawn typography elements using bold and bright color




This magazine typography cover for contains interesting 3D typography together with 3D elements.The 3D is filled with only one color , producing the 3D element with white lines only. This gives the cover a minimalist and unique look












Magazine spread is two pages that are next to each other. Each spread works as one unit. It is not two pages separated but two pages that work together to create one unit. When designing magazines it is vital to look at these two pages as one single element even if those pages are going to contain two different stories. Even if one of the pages is containing an ad or even if one story is ending on left page and another is starting on the right page (if possible you should avoid situations like these but sometimes they are unavoidable).

Readers see a spread as one unit. Since magazines are smaller than newspapers, magazine spread can be “digested” in one view because our peripheral vision encompasses the entire spread at normal viewing distance. On the other hand newspaper, especially large format broadsheet newspapers are scanned in several takes.

Because of this you have to consider what will be on the other side of your spread. Will it be an ad, will it be beginning of another story or maybe full bleed image.

Gray areas represent the most visible areas of the spread. Darker shaded area is more visible than the lighter shades. Readers eye is drawn to the upper parts that’s why those areas have the most impact.


Elements of the spread

Not all areas of the spread are equal. Some have more importance, some have less. For example, when you go to the newsstand, you pick up some magazine, you grab the magazine by the spine with your left hand, and with your right hand you flip through the pages.
The most visible area at that point is the outer part of the right page. Other example is if you put magazine on the table and start flipping the pages, the lighter (left part) of the magazine will be flipped and folded but the heavier (right part) will stay flat on the table, hence more exposed to the viewer’s eye. The process is reversed if someone is flipping magazine from the last page, than the outer left area of the page is the most visible one. 

[THE MOST VISIBLE PARTS OF A SPREAD ARE OUTER UPPER PARTS]
You should place your best content on the outside parts of the spread. These are the areas that are most seen. This is the place to put most provocative images and words. Put the best stuff where it will be most visible and where it will make the best impact. Most valuable areas of page spread are top left and top right parts, because when you skim through the magazine these are the areas where you look the most. Make the most of them.
On the other hand, bottom part of the spread, inner corners near the gutter are less important. Have you ever noticed how designers place footnotes and some credits in those parts of the spread? Now you know why.


Readers eye direction


When influencing on the reader your design should have meaning. Readers concentrate on the top parts of the spread. This is the first place where their eye will stop when they skim through the pages, so you cannot start your story by placing headline on bottom right page. This is not natural starting point.


I have seen this in so many examples, but try to avoid it. It is not good design if the reader has to search through the page to find most important thing (if there is no image on the page), and that’s the headline. It is even worse if you put the headline at the bottom and you put beginning of the story on top of it.

This is not a natural way of reading the story. Everything should have flow. You should work your way from the meaningful top left and then continue to the bottom. Headline, intro copy and then the main copy. That should be your guide.


In this case it is OK to place the headline at the bottom. Reader will have no problem following the story, besides, it would be awkward to place the headline on top of the model’s head.


 This is the natural way of viewing things, unless designer pulls his attention away by placing elements on the page that will attract the reader’s eye. Sometimes headline can go on the bottom part of the page if this pages has full-page image that bleeds out of the page.


This is an example of bad text flow. You can see how the flow of the story is not natural and the reader will have hard time following the text.



Image and body text arrangement

 When placing big blocks of text, try not to break them up. You should not throw elements on a page just for the sake of throwing them around. Let it have a meaning. A flow. If you put barriers on the page, reader will have hard time following the flow of the story. Keep the flow of the text columns tidy and even.

Things should be simple, and you should simplify the design by aligning the columns at the top and placing images above them. In this way reader will have no problem to follow the text part of the story.


This is good example of text flow. Text and images have their own place and importance. Flow is natural and reader will have no problem following it.

Take a look at these images above and you will see how the flow of the text is better in the second image. Red lines represent the direction of the eye. You will see how harder is to follow the text flow in first image.


Ad pages


Advertisers prefer right pages. Since advertisers want great exposure that’s why they insist to be placed on the right page. Again, as you skim through the magazine you will notice their ad much easier. Especially if the ad is in vertical half a page format. Placing that ad in the inner part of the page, near the gutter, would be great mistake. Costly mistake.
[ ALWAYS LOOK AT A SPREAD AS A UNIT ]
Left pages are great for editorial content. It is always good to know which ad will go on the opposing page. In this way you can design editorial page in a way that will correspond with the ad. It is best to make a contrasting design on your editorial page. For example, if the ad is in blue shades, you should not use blue as central color on your page. If the ad has emphasized image that bleeds out, you should design your page with more text and very few images. In this way reader will have no problem do distinguish what is editorial and what is ad. Of course sometimes this is hard to carry out but try to make your editorial pages different from ad pages.

Try to remember these rules and follow them, once you are familiar with them you can start to break them, but only if it will bring something interesting and make design better. Do not do something different just for the sake of making it different. Always have meaning for whatever you do.
  

CONCLUSION 
Typography is a key element of most design , the choice of font is one of the most important decisions a designer can make, it make or break a design



TASK 2:

 IDENTITY :SELF- REFLECT


       
mind map




sketches 








idea development


Find outcome- digital work(AI)


first artwork

 second artwork

third artwork


fourth artwork


fifth artwork



QUESTION:

 1. How this artwork reflect yourself and your identity (Explanation)
     = How artwork I describe myself  and identity is that of a form of writing and presentation . SN letter means a SITI NAJIHAH . Why is shaped like the letter S in terms of a peacock because of its shape attractive in terms of color is beautiful and diverse. I take inspiration from the beauty of the peacock because I prefer variety and it also symbolizes the diversity in Malaysia. I do not like comparing life between races because I prefer to live in harmony, peace , and cooperation.

2. Why choose the color?
          = Why I choose the color is a Light Blue, Black, Pink ,Green, Purple and White for the final  idea development. Because........

Light Blue the color of the sea and the sky means tranquility. Color peaceful prosperous and passive next symbolizes sincerity and hope. Describe the nature such as trees and forest , life , stability, peace and purity.

Black is the color elegen , splendor , downstairs and masculine. He was able to leverage strong and full of flavor confidence than impact protection to occupants. But there is also the nation that the color is more symbolic of the effects of grief and loneliness . Their walls are painted with black color often a mysterious and like to be alone.

Pink is the colors are symbolic of the warmth and emotion and at the same time exhibiting softness and provide peace. Pink is love. It also given the impression of cheerfulness

Green is the color often associated with beauty and freshness of nature. It acts evoke element of energy and tranquility.Green can also help stabilize emotions and has a healing effect that relieve stress.

Purple is the color spiritual and mysterious. It is able to attract attention and give the impression of sensation,  feminine, graceful and warmth . Darker purple color can radiate strength and an element of fantasy , imagination and creativity.

White color is the pure and clean color reflect the purity, tranquility, protection and peace.It facilitates reflection in whatever  things done.

3. How typography influence your life?
          = How typography affected my life in terms of dress up, presentation and more

4. Make a story line thought and how typography effective as communication
           =Effective typography as a form communication because the manner of service than differ in terms of fonts of delivery terms. Typography also allows any communication made easier and not hard to  understand.


task 3: continition

(experiment alphabet)

own typefaces student need to experiment with manmate nature to create own alphabet. requirement needed included:

1.theme/ concept
2. researh
3. design process- mindmap
4. final outcome





example for groceries





     
             

my sketches

  toothbrush

   
  pencil




 example for geometric






  

my sketches









this is my first final artwork and has not been modified yet





























this is my final outcome and has been modified to be more attractive and looks neater































This is my final alphabet sketch of the Adobe Illustrator


Final 1




Final 2



Final 3:
This is the final that has been selected to refurbished and finished with Adobe Illustrator




TASK 3(Week 10-12)

"MOVIE POSTER DESIGN"
Students need to design poster to promote the launching of new movies on the theater
> No image used in the design
> Vector can be add up to create a good        design
> Research on movie game
> Examples of typography that suits the genre
> Idea design and development
> Final Design

 This is a first movie poster Killer Movie
= story of killer movie

Killer Movie is a 2008 comedy horror film released in the United States in April. The film premiered during the 2008 Tribeca Film Festival in New York City. It stars Paul WesleyKaley CuocoJason LondonTorrey DeVitto and Leighton Meester and was written and directed by Jeff Fisher. "Killer Movie" was Produced by Cornelia Ryan Taylor, Michael Sanchez and Jeff Fisher.

Celebrity Jake Tanner (Paul Wesley) travels to a small town to film a reality TV-show about the town's hockey team. However, town local Jaynie (Leighton Meester) is soon murdered, being decapitated by a piece of wire hung up between two trees, but the murder is passed off as an accident. Jake meets with the show's producers, Lee (Cyia Batten) and Phoebe (Torrey DeVitto) who now want to investigate the murder.
As Jake goes to the local high school, he meets Keir (Gloria Votsis), part of the shows crew, who believes Jaynie was murdered and suspects the hockey teams coach, Coach Carhartt (Stephen Pelinski). Jake meets the rest of the crew, including Mike (Jason London), Daphne (Adriana DeMeo), Luke (Al Santos) and Greg (Hal B. Klein) while also meeting the team captain, Vance (Andy Fischer-Price) and head cheerleader Erin (Maitland McConnell). Meanwhile, cheerleading coach Mrs Falls (Jennifer Murphy) is murdered by a masked killer, who drags her into a circular saw. The crew interview Vance, who swears he will get vengeance on whoever murdered Jaynie.
Controversial celebrity Blanca Champion (Kaley Cuoco) soon arrives with her assistant Nik (Robert Buckley) to work on the show. The crew travel to meet Jaynie's father, Coach Hansen (Bruce Bohne), who recently was released from prison for the murder of his wife. Hansen becomes angered however, and forces the crew to leave. While back at the school, Connor (Jackson Bond) tells Jake that Jaynie's death was not an accident. That night, the crew go to a bar, and discover of Mrs Falls death, but again the locals pass the death off as an accident, before Coach Hansen turns up and warns the crew away from the town. The next day, Lee and Phoebe fall out as Lee is changing the show to center around the deaths of the locals. Nick is sent to Coach Hansen's house to retrieve equipment that was left there previously. On arrival, Nik finds a dead Coach Hansen in a plastic wrap with his throat slashed, before the killer butchers Nik with a pickaxe.
After Erin and Blanca have an argument, Blanca attempts to leave the town but realizes there is no signal for mobile phones in the town. After the crew film a hockey match, the crew go to the bar, but Luke remains behind to work out. He is attacked by the killer, who chops off his hand with a meat cleaver before finally hacking him to death. Daphne decides to leave the bar, but while on her way home she discovers Greg's car. She stops and investigates, only to find Greg being horribly decapitated. The killer then turns up and kidnaps her.
The next day, the remaining crew discover of their missing co-workers, causing arguments between the survivors. Lee goes down to the boiler room where she finds the killer is filming the murders using the aid of a lipstick camera. Before she can warn the others though, the killer hangs her with a chain. After more filming, Jake, Blanca and Keir go back to a cabin to find the others. However, they find footage of Daphne being captured. They go back to the school and drop Blanca off so she can contact help on a Cb radio, while Jake and Keir go to where Daphne was captured. Meanwhile, Phoebe is in a local shop when she is attacked by the killer. She hides until Coach Carhart arrives and the pair flee to the coaches car. As they are about to leave, the killer slices open the coaches throat while hiding in the back seat, while Phoebe flees to the school. The killer catches up with her though and strangles her to death.
Jake and Keir discover the killers lair in the forest, but as they are about to leave Jake steps on a bear trap, so Keir leaves for help. Back at the school, Blanca fails to get help from the radio but finds Connor down in the boiler room, who shows Blanca a video the killer has made devoted to her. As the pair are leaving the school, they discover Daphne's dead body. Blanca soon becomes locked in a room, but Connor escapes. Keir arrives, but the killer quickly knocks her out, before finding Blanca. She escapes the room through the vents, but is confronted by the killer who is revealed to be an obsessed Mike, who murdered everyone to be close to her. Keir attempts to save Blanca, but Mike stabs her; Mike then attempts to kill Blanca but Jake shows up and ends up shooting Mike three times in his chest with his shotgun, presumably killing him.
The next morning, the police arrive and put Mike's body in a body bag. Jake finds out Keir survived being stabbed; He tells her that Mike was an escaped mental patient who was obsessed with Blanca from the start, Jake walks up to Mike's body bag and soon finds out that Mike was wearing a bulletproof vest, the film then ends.
 original

This inspiration for killer poster movie before i'm doing this poster



 This is my  poster vector in final, why the poster missing alphabet (L) because  the hand in the poster like the alphabet (L) and that why I missing this.

This all poster that's been made before final



This is are final poster

vector 

This is a second movie poster The Hunter
=this is story about The Hunter
The Hunter is a 2011 Australian adventure thriller film, directed by Daniel Nettheim and produced by Vincent Sheehan, based on the 1999 novel of the same name by Julia Leigh.It stars Willem DafoeSam Neill and Frances O'Connor. To prepare for the role, Dafoe worked with a bush survival expert who taught him practical tips like how to de-scent himself so animals couldn't smell him in the bush. Dafoe flew to HobartTasmania for the premiere of the film at the State Cinema.
The film opened to the Australian public in cinemas on 29 September 2011.
The novel revolves around a professional hitman who travels to Tasmania to hunt down the world's only remaining thylacine.
Mercenary Martin David (Willem Dafoe) is hired by military biotech company Red Leaf to go to Tasmania and gather samples of theTasmanian tiger, with further instructions to kill all remaining tigers to ensure no competing organization will get their DNA.
Posing as a university biologist, Martin lodges in the home of the Armstrong family: Lucy (Frances O'Connor) and her two young children Katie (Morgana Davies) and Jamie (Finn Woodlock). Lucy is perpetually benumbed from prescribed medication, taken after the disappearance of her environmentalist husband, Jarrah Armstrong. Speculation surrounds Jarrah's disappearance, particularly with regards to a longstanding conflict between the local loggers who are in desperate need of jobs, and the 'greenies', a group of environmentalists who have set up road blocks to the forest to prevent its deforestation. Martin goes into the bush for twelve days at a time, setting up various steel traps and makeshift snares, while waiting patiently to see if a tiger will surface. During his short stays at the Armstrong's to resupply, Martin slowly befriends the children, and discovers that Lucy's medication is delivered to her by Jack Mindy (Sam Neill), who has been unofficially looking in on the family. Martin confiscates Lucy's medication, and bathes her while she is unconscious, after realizing the detrimental effects of her dependency.
During one return from the bush, Martin finds Lucy has recovered from the symptoms of her addiction. Jamie provides Martin with a clue as to the tiger's whereabouts: a drawing of the tiger near trees and small bodies of water. From the drawing, Martin is able to deduce the tiger's location on his map. On his next trip out, Martin stumbles across Jarrah's skeletal remains and discovers that he had been shot through the head. Martin gives him a proper burial, but does not reveal his findings to the Armstrong family. On his return to the Armstrong house, Lucy informs him that Red Leaf had initially contracted Jarrah to locate the tiger, a pursuit he eventually abandoned in favor of taking up an environmental cause to protect wildlife and that Red Leaf wanted Jarrah to find the tiger because they believed that it had a paralyzing venom in its bite.
While hiking to check his traps, Martin is ambushed by a rival Red Leaf operative sent to replace him. The man binds Martin's hands and instructs Martin to lead him to the tiger's cave, but Martin instead leads the operative past one of his steel traps. The operative steps on the trap, and its metal teeth bind his leg. The operative drops both rifles. Martin frees his hands, picks up one of the rifles, and kills the operative just as the operative frees himself from the trap and lunges for the other rifle. Martin returns to the Armstrong residence to find it burnt down. Confronting Mindy, he learns that Lucy and Katie had perished in the fire, but Jamie survived and was taken by the authorities. Martin sets out into the bush once more to find the Tasmanian tiger and put an end to Red Leaf's pursuit. He finally finds the creature and reluctantly shoots it, then proceeds to cremate it in order to remove all traces of its existence.
Martin returns to town and calls Red Leaf, informing them that what they are looking for is "gone forever". He then goes to a school where Jamie sits alone on a bench. When Jamie sees Martin, he runs excitedly toward him and the two embrace.

original

This all poster that's been made before final




This is my final poster

vector


This is a third movie poster Let The Right One In
= this is story about the Let The Right One In
Let the Right One In (SwedishLåt den rätte komma in) is a 2008 Swedish romantic horror film directed by Tomas Alfredson, based on the 2004 novel of the same title by John Ajvide Lindqvist, who also wrote the screenplay. The film tells the story of a bullied 12-year-old boy who develops a friendship with a vampire child in Blackeberg, a suburb of Stockholm, in the early 1980s. Alfredson, unconcerned with the horror and vampire conventions, decided to tone down many elements of the novel and focus primarily on the relationship between the two main characters. Selecting the lead actors involved a year-long process with open castings held all over Sweden. In the end, the 11-year-olds Kåre Hedebrant and Lina Leandersson were chosen for the leading roles. They were subsequently commended by both Alfredson and film reviewers for their performances.

The film received widespread international critical acclaim and won numerous awards, including the "Founders Award for Best Narrative Feature" at the 2008 Tribeca Film Festival and the European Fantastic Film Festivals Federation's 2008 Méliès d'Or (Golden Méliès) for the "Best European Fantastic Feature Film", as well as four Guldbagge Awards from the Swedish Film Instituteand the Saturn Award for Best International Film.
Oskar, a meek 12-year-old boy, resides with his mother Yvonne in the western Stockholm suburb of Blackeberg in 1981 and occasionally visits his father Erik in the countryside. It is not clear why Erik is living apart from Yvonne, but on one such visit, when Oskar and Erik are enjoying a cosy night playing games, a drunken neighbour arrives and Erik starts to drink heavily with him, breaking up the cosy father/son evening. Oskar collects clippings from newspapers and magazines about grisly murders and pictures of hunting knives. He keeps a knife under his mattress.
Oskar's classmates regularly bully him, and he spends his evenings imagining revenge. One night he meets Eli, who appears to be a pale girl of his age. Eli has recently moved into the next-door apartment with an older man, Håkan. Eli initially informs Oskar that they cannot be friends. Over time, however, they begin to form a close relationship, with Oskar lending his Rubik's Cube to Eli, and the two exchanging Morse code messages through their adjoining wall. Håkan requests that Eli stop seeing Oskar. After questioning Oskar about a cut on his cheek, Eli learns from him about his being bullied by schoolmates and encourages him to stand up for himself. This inspires Oskar to enroll for weight-training classes after school.
Meanwhile the otherwise well-prepared Håkan stops and kills a passerby on a busy footpath near a main road to harvest fresh blood for Eli. But he fails to return with any when he is interrupted by an oncoming dog walker. Eli subsequently waylays and kills a local man, Jocke, making his drunken way home from a bar after having said goodnight to his best friend, Lacke. A local cat-loving recluse, Gösta, witnesses the attack from his flat, but hardly believes what he has seen. Håkan hides Jocke's body in an ice-hole in the local lake. Håkan later makes another well-prepared but incompetently executed effort to obtain blood for Eli by trapping a teenage boy in a changing room after school. The boy's friends are waiting for him to emerge, and go to see what is holding him up. Before he is discovered, Håkan pours concentrated hydrochloric acid onto his own face, disfiguring it to prevent the authorities from identifying him and tracing Eli. Eli learns that Håkan has been taken to the hospital and scales the building to access his restricted room on the 7th floor. Håkan opens the window for Eli and offers his neck to her for feeding. After she has fed, Håkan falls out of the window on the snow. Now alone, Eli goes to Oskar's apartment and spends the night with him, during which time they agree to "go steady". While Eli states, "I'm not a girl", Oskar (ambiguously) either ignores this or accepts the homoerotic status of the relationship.
During an ice skating field trip at the lake, some of Oskar's fellow students discover Jocke's body, hidden by Håkan. At the same time, Oskar finally stands up to his tormentors. He strikes the leader of the bullies, Conny, on the side of the head with a pole, splitting his ear. Some time later, Oskar shows Eli a private place he knows. Unaware that Eli is a vampire, Oskar suggests that they form a blood bond, and cuts his hand, asking Eli to do the same. Eli, thirsting for blood but not wanting to harm Oskar, laps up his spilt blood before running away.
Gösta tells his neighbours that he saw a kid attack Jocke. They urge him to tell the police, but he does not. In a drunken state, Lacke tells his friends that Jocke was his only friend. His girlfriend, Virginia leaves but is attacked by Eli. Lacke turns up in time to interrupt the attack. Virginia survives, but she soon discovers that she has become painfully sensitive to sunlight. Thirsting for blood, she pays a visit to Gösta, only to be fiercely attacked by his many cats. In the hospital, Virginia, who has realized what she has become, asks an orderly to open the blinds in her room. When the sunlight streams in, she bursts into flames.
On realizing her true nature, Oskar confronts Eli, who admits to being a vampire. Their trust for each other grows and Eli appears in front of his apartment. When Oskar questions the consequences of Eli entering without his expressed verbal invitation, Eli passes the threshold to his apartment and begins to profusely bleed until Oskar panics and cries out a verbal invitation. After their embrace, Oskar is initially upset by Eli's need to kill people for survival. However, Eli insists that their bloodthirsty natures are alike, in that Oskar wants to kill and Eli needs to kill, and she encourages Oskar to "be me, for a little while." Afterwards, Eli changes out of bloody clothes and Oskar, deciding to sneak a peek, revealing a scar where Eli's genitalia should be. Eli quickly leaves his apartment through his window when his mother returns home.
Lacke, who has lost everything because of Eli, seeks out Håkan and Eli's apartment. He is suspicious of the apartment with the makeshift covered-up windows. Breaking in, he discovers Eli asleep in the bathtub. Lacke holds a knife to Eli's neck while she is still sleeping. Oskar, who was hiding inside the apartment, sees what Lacke is doing and takes out his own knife. When Lacke finds it hard to see and lets sunlight into the room, Oskar shouts and Eli wakes up. A startled Lacke turns and throws his knife away when he sees Oskar. Eli immediately jumps on Lacke and kills him, feeding on his blood. Eli thanks Oskar and kisses him in gratitude. However, an upstairs neighbour is angrily knocking on the ceiling due to the disturbance the fight has caused. Eli realises that it is no longer safe to stay and leaves the same night.
The next morning, Oskar receives a phone call from Conny's friend, Martin, who lures Oskar out to resume the after-school fitness program at the local swimming pool. The bullies, led by Conny and his sadistic older brother Jimmy, start a fire to draw Mr Ávila, the teacher in charge, outside. While Ávila is distracted, they enter the pool-area and order the other children to clear out, which leaves Oskar trapped alone in the pool. Jimmy forces Oskar under the water, threatening to stab his eye out if he does not hold his breath for three minutes. While Oskar is underwater, however, a crash is heard from above the surface, followed by screaming. Martin's feet are seen dangling just under the surface of the water as he is dragged over the pool, and then Jimmy's severed head falls into the pool. Next, Jimmy's torn-off right arm, which had held Oskar underwater, falls into the pool. Eli then immediately pulls Oskar out of the water, and they both smile as they look into each other's eyes. The decapitated bodies of Martin, Jimmy, and Conny lie around the pool, while Andreas, the reluctant fourth bully, sobs on a bench.
Later, Oskar is traveling on a train with Eli in a box beside him, safe from sunlight. From inside, Eli taps the word "kiss" to Oskar in Morse code, to which he taps back "puss" (small kiss in Swedish).
original

This all poster that's been made before final



The final movie poster 
Vector

TASK 4(Final)
' Publication Design'
Student need to design minimum 10 pages magazine based on own selected concept. Requirement needed including high quality images related to the subject you have been assigned for cover, suitable typography and own magazine title propose. Later on, double-spread-sheet will be created based on main highlighted issue raise as seen on the cover.
Once the research is complete, a designed publication related to your specific topic of study will be created. A cover with masthead as well as an inside spread. table of content pages and a type specimen page will be included in the publication.
> readability, legibility
> layout
> grid system
> mast headline and etc.
> concept/ theme
magazine is the work of the group. Our group has selected relevant topics biography of artists who have left, their departure for considering me and I have made a lot of magazines related to children's lives throughout the art. Our magazine titled you will not come back again.
















the end for typography subject and i have a most experience about the subject, i thinks this subject very give me the spirit of  despair. Although difficult, we have to face with patience.